Monthly Archives: November 2011

Yosemite – a different viewpoint……..

Well you have seen some of my images, here are some of Barbara’s images. Barbara is a not only my wife, friend and travel companion. She also has a very good eye for photography. It really is nice that she also shares an interest in photography, it sure makes the “photography trips” a lot more enjoyable. So I really am a lucky person! She enjoys using her Canon G-10 point and shoot and as you can see she does quite well with it. Please feel free to comment, or “like” the post. Enjoy.

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Yosemite – fall and winter combined

At the beginning of November, my wife Barbara and I made a short trip up to Yosemite. We were lucky enough to stay at a friend’s cabin in Wawona, so we made it a long weekend. The cabin was fabulous, very comfortable, beautiful surroundings and best of all we were inside the park! We had a great time, definitely need to spend longer next time, but we still managed to do a lot. We went there hoping to see some fall colors, and we were successful. A storm was moving through and I was hoping for some dramatic clouds to enhance the scenery, and we certainly got that as well. We were also lucky enough to get a nice dusting of snow, a wonderful time to do photography! So we had it all, great scenery, dramatic skies, snow and fall colors all rolled into one area. Here is a 4 panel panorama from the Tunnel View location overlooking the Yosemite Valley, you can see the dusting of snow and the clearing storm clouds, a great opportunity. This is a 4 panel panorama, taken with a Canon 5D MarkII and Zeiss 35mm f2 in the portrait orientation. Each panel consists of three images with different exposures blended together to capture the full dynamic range of the scene.

 

Here are some other views from different locations through Yosemite. I took a reduced set of equipment with me, instead of my usual collection of lenses and gear. I brought my Canon 5D MarkII and a Zeiss 35mm f2, Zeiss 21mm f2.8, Canon 70-200 f4L,  Canon 50mm f1.4, and a Samyang 14mm f2.8. The most used lens was the Zeiss 35mm, followed by the 21mm, and then the 70-200, I really did not use anything else. I hope you enjoy the images and please feel free to comment or “like” the post. Thanks for looking.

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Studying composition is a good thing…..

I think every photographer goes through periods of change, ruts develop, distractions happen, and sometimes life just moves on seemingly without any control.  I know I go through periods when I can’t seem to get a pleasing image, at least in my opinion. Is this from lack of trying, or maybe trying too much? Sometimes a spark is needed to help provoke a new way of looking at the world. A type of creative spark, something to break out of the mundane.  I know personally I have been kind of uninspired in my photography, oh I still enjoy it, but maybe I needed such a spark. One thing that has been a distraction is my love for gear and things that are technical. I get wrapped up in it, and soon I am playing more with the gear and hanging out in the forums looking and reading about gear. While gear is good, gear is just a tool. The main part of the equation is the image.  So lately I have been trying to avoid the gear and focus more on the photography. In the field I am carrying fewer lenses and less gear and that is making things a little easier, easier to be creative. To use the tools that I have with me, rather than rummage through all the equipment.

I stumbled upon the Craft And Vision website and David DuChemin’s posts on the Pixelated Image Blog and a lot of things he had to say resonated with some of the feelings I have been having and helped me to look at things in a different “light”.  Namely, photography can be difficult, and it really is not so much about the gear, but about the “vision”. The Craft and Vision website has a lot of inexpensive e-books about various aspect of photography and essays to make you think about the “craft”.

The most recent one to be released is Beyond Thirds – A Photographer’s Introduction to Creative Composition by Andrew S. Gibson. While this ebook is not intended to be a full treatise on composition, it does give some fuel for thought. The book for me was a gentle prod to make me think about composition when I am taking an image. I know I get pretty reflexive about using the “rule of thirds”, it has been ingrained into my thought processes from reading many other books and making conscious efforts to use that rule in some of my images. Well, as the book points out “rule” is a harsh term and that it really is more of a guideline. Not all images work well using thirds as a guideline, this book served to remind me that there are other considerations and other ways to compose an image. The book does go through and shows some nice images and discusses the merits of the particular composition selected by the author. It did make me think about how I am creating images and to think about how I want to capture my vision and intent.

I mentioned that it is far from a textbook but it is gentle prod to think about how to express yourself and how to improve your images. The price of the book is a very reasonable $5, Click here to purchase Beyond Thirds – A Photographer’s Introduction to Creative Composition by Andrew S. Gibson. If you use the code BT4  when you check out, the price is only $4, OR you can use the code BT20 to get 20% off when you buy 5+ PDF ebooks from the Craft & Vision collection. These codes expire at 11:59pm PST November 19th, 2011.

HDR photography: What’s the big deal?

HDR photography or high dynamic range photography can generate a lot of controversy in some circles. Especially in the online forums; mention that you have taken an image using HDR techniques and you will get very polarized responses. This polarization is kind of funny, in my opinion. Photographers will either love it or hate it, although there some that are a little bit in the middle, but basically very polarized, they either love it or hate it.. I’m not so sure why this is such a big controversy after all it’s just a technique, a tool, that the photographer can use to process an image. This tool can be used in many ways. To me, it is a tool that is used to enhance an image to the photographer’s “vision”. So what’s the big deal? In reality it’s no different than using any other tool. There are lots of tools, and different filters and plug-ins you can get for Photoshop. For instance, Topaz Lab’s “Adjust” and Nik’s “Color Efex Pro4”. If you adjust the sliders and play around you can make a gaudy looking highly saturated low contrast images that are no different than some of the HDR photography! On the other hand, those same plugins can be used to make subtle changes, it is up to the user to control. If you mention that you used the plugins, the response is usually “toned down”, but if you label it HDR, watch out.  It all comes down to the photographer’s vision for the image, the story the photographer is trying to tell; the message to be conveyed. How the artist gets to the end result is through the use of tools, and how much or how little they are applied, again is up to the artist and what they envision.

My theory as to why it is so polarizing is some photographers have a preconception of what an image should look like. Not necessarily, what the human eye sees, but what they envisioned the sensor or the media can successfully capture. Is this right? Is this wrong? The only right answer is if it matches the photographer’s vision. Sometimes there is fear in new techniques that are not “mainstream”. The HDR technique is no different than blending exposures, it is just the method and how it is finally processed.  Many photographer’s blend several exposures to bring out details in the shadows or to bring back highlights that were blown out in the single exposure. Sensors can only capture so much light, so much dynamic range. So that leads some photographers to have this preconception that if you have details in the shadows and if there are extreme details in the highlights, with a very high dynamic range then it must be artificial. And if you label it HDR, then their bias slams to the front, the blinders come on and the wall is built. Then post that same image and mention that you took a couple of exposures and blended them together and often you will get a lot of constructive comments. Not always but generally it’s a much more relaxed and much, much less of a reaction then if you label it HDR. So I think this is just one of those biases that photographers will just have to get over. I think that you’ll see more and more high dynamic range imaging. And how it’s processed is up to the vision and skills of the photographer. It is, after all, used to show what they envisioned at the time capture. At some point in time, sensors will be capable of capturing huge dynamic ranges but until that time we will have to use the tools that we have available.

Yes we’ve all seen extremes in this type of photography. I have seen a lot of images that could have been captured with a single exposure but yet they bracketed and processed it as a HDR image. They might have very low contrast, very highly saturated colors but if the image is what the photographer is happy with, what’s wrong with that? Who is to say whether that’s right or wrong? It may not appeal to the vast majority of viewers, but it doesn’t make it any less valid of an image or “vision”.

Then there are images in which a single exposure could never capture the full range of values, and this is where the HDR technique really shines. You can then express to the viewer more of what you saw with your own eye, if that is what you want to share. It gives you greater latitude to express yourself. It is not evil, it is not a trick or something that is going to go away anytime soon. It does not need to be feared.

The funny thing is that when you talk to people who are casual users of cameras, the ones not hounding the forums, or avid photographers, they are very accommodating to the use of HDR techniques. Perhaps because they are evaluating the image, and not the way the image was processed. Perhaps they are seeing the vision that the artist was trying to convey rather than bogged down in techniques or what they deem to be acceptable. Maybe they are not as influenced by preconceptions.

To paraphrase David duChemin (Craft and Vision – Great ebooks at great prices), it is all about “the vision and not the gear”, or the technique. So again I ask, what’s the big deal?